My films

The 'My films' feature allows you to build a personal list of films from the Moving Image Archive catalogue. To add films to your list use the 'Add to my films' button on the full description page for each film or in your search results.

For general enquiries about the archive please see the contact page or email MIAEnq@natlibscotland.mail.onmicrosoft.com.

Because you are not logged in, we will use cookies to store your list of films on the computer you are using. If you are using a shared computer - in an internet café, for example - your list will not be available from another computer or after this user session.

To create a list that you can access from any computer at any time, you need to register online and get a National Library of Scotland password. If you have an NLS password, you can log in now to create your films list.

'FIRST REELS INTERVIEW: Gary Scott, Michaelangelo's Robocop' added to 'My films'.

Films without videos

FIRST REELS INTERVIEW: David Sheerin, 3 Things For Bikers [8097]

Raw interview footage with director David Sheerin, concerning his short film 3 THINGS FOR BIKERS, made under the Scottish Film Council and Scottish Television's First Reels scheme.

1993

sound

col

FIRST REELS INTERVIEW: Duncan Nicoll, Bird of Paradise [8537]

Raw interview footage with director Duncan Nicoll, concerning his short film BIRD OF PARADISE, made under the Scottish Film Council and Scottish Television's First Reels scheme.

1993

sound

col

FIRST REELS INTERVIEW: Gary Scott, Michaelangelo's Robocop [8091]

Raw interview footage with director Gary Scott, concerning his short film MICHAELANGELO's ROBOCOP, made under the Scottish Film Council and Scottish Television's First Reels scheme.

1993

sound

col

YASMIN [6846]

This timely drama tells the story of a British Muslim woman who finds herself caught up in a post-September 11 nightmare, when her Pakistani-born husband is falsely imprisoned as a terrorist suspect. Addressing such universal themes as racial prejudice and the conflicts between national and religious identities, Yasmin is also shot through with a peculiarly Northern wit – alert to the many ironies which befall those who consider themselves British, Asian and Muslim.

2004

sound

col